Bulleya Guitar Lessson - Song Arrangement

Bulleya - Introduction

Bulleya is a groundbreaking Sufi rock song by the legendary Pakistani band Junoon, released in 1999 as part of their album Parvaaz. The track is an adaptation of the poetry of Bulleh Shah, a revered Punjabi Sufi saint, questioning identity and divine love. Composed by Salman Ahmad, the song blends Western rock energy with Eastern spiritual depth, featuring electric guitar riffs, bluesy vocals by Ali Azmat, and traditional tabla rhythms.

Recorded at Abbey Road Studios, Bulleya became Junoon’s signature track, celebrated for its fusion of rock and Sufi philosophy. The lyrics—"Bullah ki jaana main kaun" ("I know not who I am")—reflect the Sufi quest for self-discovery beyond religious labels. Over the years, the song has been reimagined multiple times, including an English version in 2010, and remains a staple in Junoon’s live performances, inspiring countless covers across South Asia.

Bulleya Guitar Lesson

Taught by Salman Ahmad himself, this lesson breaks down the song’s unique chord progressions and Sufi-rock fusion. The track uses D9, Am, Dm7♭9, G6, E7sus4, and Esus4, creating a hypnotic, spiritually charged sound. The D9 (xx0230) and Dm7♭9 (xx0111) chords add tension, while G6 (320000) and E7sus4 (020200) provide resolution, mirroring the song’s themes of seeking and surrender.

The rhythm alternates between a rock-driven 4/4 strum and qawwali-inspired grooves. The main riff, played on electric guitar, uses the D minor pentatonic scale (D-F-G-A-C) with bluesy bends. The verse follows D9 - Am - G6, while the chorus shifts to E7sus4 - Esus4, creating a call-and-response effect. The bridge introduces a Dm7♭9 - G6 vamp, emphasising the Sufi trance-like quality.

For the lead parts, Salman’s playing combines Eastern phrasing (sliding between notes like in a raga) with Western rock techniques (sustained bends, wah pedal). The solo builds on the D harmonic minor scale (D-E-F-G-A-B♭-C#), adding a mystical edge.

Beginners should focus on the D9 and Am transitions first. Intermediate players can work on the sus4 chords and bluesy licks. Advanced players should explore the modal interchange between D minor and D Mixolydian (D-E-F#-G-A-B-C), a key element in Junoon’s sound.

FAQs

Q. How to play the Dm7b9 chord?

Fret the 1st fret on high E (F), 1st on B (C), and leave G open (xx0111).

Q. What’s the strumming pattern for the song Bulleya by Junoon?

Verses: Down-down-up-up-down | Chorus: Aggressive downstrokes on E7sus4.

Q. Why does the E7sus4 go to the Esus4?

The suspended notes (A in E7sus4 resolving to G# in Esus4) mimic qawwali vocal ornamentation.

Q. What is the best way to practice bends?

Target the F to G (1st to 3rd fret, B string)—a key bluesy motif in the solo.